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・ Princess Tatiana of Greece and Denmark
・ Princess Tatiana of Sayn-Wittgenstein-Berleburg
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Princess Theatre, New York City
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・ Princess Theatre, Woolloongabba
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・ Princess Theodora of Greece and Denmark (1906–1969)
・ Princess Theresa of Bavaria
・ Princess Theresa of Bavaria (b. 1931)
・ Princess Theresa of Liechtenstein
・ Princess Therese of Nassau-Weilburg
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・ Princess Thyra of Denmark
・ Princess Thyra of Denmark (1880–1945)
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・ Princess Tina
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Princess Theatre, New York City : ウィキペディア英語版
Princess Theatre, New York City

The Princess Theatre was a joint venture between the Shubert Brothers (Lee Shubert, Samuel S. Shubert, and Jacob J. Shubert), producer Ray Comstock, theatrical agent Elisabeth Marbury and actor-director Holbrook Blinn. Built on a narrow slice of land located at 104-106 West 39th Street, just off Sixth Avenue in New York City, and seating just 299 people, it was one of the smallest Broadway theatres when it opened in early 1913. The architect was William A. Swasey, who designed the Winter Garden Theatre two years earlier.〔"12 Shows to Open Here This Month", ''The New York Times'', October 3, 1942〕〔Kenrick, John. ("Demolished Broadway Theatres: Princess" ), Musicals101.com, accessed November 12, 2015〕
Though small, the theatre had a profound effect on the development of American musical theatre. After producing a series of plays, the theatre hosted a famous series of sophisticated musicals by the team of Jerome Kern, Guy Bolton and P. G. Wodehouse, between 1915 and 1918 that were believable and humorous, musically innovative, and integrated their songs with their stories. These were considered an artistic step forward for American musical theatre, inspiring the next generation of writers and composers. Afterwards, the theatre hosted more plays and later served as a movie theatre and a recreation center. It was torn down in 1955.〔〔Mroczka, Paul. ("Broadway History: The Princess Musicals, Bigger Was NOT Better" ), BroadwayScene.com, July 8, 2013, accessed November 12, 2015〕
==Theatre building==
Though fairly drab on the outside, looking like a six-story office building, except for its marquees and gaudy electric sign over the main entrance, the Princess was elegant inside. A blend of ''Georgian'' and ''French Renaissance styles'', the auditorium contained fourteen rows of seats, twelve boxes off the proscenium arch, and was hailed for its excellent acoustics and sight-lines. The decor included neoclassical inspired plasterwork and antique French tapestries hung from the side walls.

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